You Can Change Your Nickname Only Twice: Identity in the Films of Yorgos Lanthimos
A video essay prepared for the Melbourne International Film Festival and re-published by Fandor Keyframe.
Conor Bateman is a writer, video editor and film programmer. He was the managing editor of 4:3 (2014-2019), an independent online film magazine, and is one of the co-founders of Static Vision, an independent Australian film collective.
His writing has been published in RealTime, The Lifted Brow, Senses of Cinema and more, and his video work has been screened at ACMI, UQ Gallery and the Monash University Museum of Art. He also works in digital video for ABC Arts and previously has worked for Sydney Film Festival and SBS.
You can find him online on Bluesky and Instagram.
A video essay prepared for the Melbourne International Film Festival and re-published by Fandor Keyframe.
A feature piece for 4:3 on the relationship between advertisement and film in the careers of Errol Morris and Roy Andersson.
Album cover art for Scott Bradlee, Postmodern Jukebox, Songtourage and The Kleptones.
A supercut of 2014 films made for 4:3’s end of year coverage.
An archival project for and about Sydney Film Festival, prompted by its 60th anniversary in 2013.
New visual identity designed for the University of Sydney’s Film Society in 2013, including logo, shirt designs, video identity.